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Hypereikon engage in these techniques in a self-taught manner, thereby acquiring tacit knowledge of complex, entangled systems in their work with neural networks. This approach successfully integrates unique perspectives and connections into their art, intertwining it with post-natural imaginaries that are inseparable from their Latin American context and involvement in the ecosystem they inhabit. Latin American futurologies are of utmost importance for technological innovation, as they generate divergent imaginative processes that deviate from the conventional aspirations of the Global North. This means not only the birth of novel ideas but also their dissemination within the digital domain, highlighting the inextricable link between artistic research and cutting-edge technology.

Hypereikon, a creative duo comprised of María Constanza Lobos and Sebastián Rojas, explores generative art and post-nature through experimentation with sound and visuals. Their practice-research in generative techniques seeks to involve visual-technical imaginaries and emotions in a back-and-forth of synthesis and re-synthesis in constant technical symbiosis.

**𝔡𝔢𝔰𝔦𝔤𝔫𝔢𝔡 𝔱𝔬 𝔠𝔲𝔰𝔱𝔬𝔪𝔦𝔷𝔢 𝔶𝔬𝔲𝔯 𝔭𝔢𝔯𝔰𝔬𝔫𝔞𝔩 𝔢𝔵𝔱𝔢𝔫𝔰𝔦𝔬𝔫𝔰**
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made with artificial imagination
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valdivia, chile. 2022

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Metaverse Coatlicue Implant

Cyclic Paradise

The Spring

FlowerGirl

engendr@

Las Luces 

Solarium

The future is over: the metastasis is inside high definition screens. How is it possible to talk about art and micropolitics when discussing NFTs? How are new worlds and alternative possibilities represented within peripheral societal groups when dealing with servers and financial markets settled in Silicon Valley? 

Some answers to these questions can be seen when facing experiences and world building from the perspective of artists from the world’s borders. From this perspective, the future can be visualized in parallel and liminal lines: as Donna Haraway states, it matters what stories make worlds, what worlds make stories. This way, the creative endeavor works as a tool in the production of other knowledges and representations, where ancestral and geographic identity relations determine the possibilities within which new worlds can be thought, as well as other narratives and discursive relations from Latin America and the Global South. Places which are far away from global metropolitan centers, where leakage lines emerge to produce an agency capable of contributing to the configuration of a new decolonial world: to be faced with seeds in the bloom of new alternative and expansive places.

These works are presented within interdisciplinary correlations; an erotic dialogue side by side with technology and art, where tentacular patterns are proposed, where the third world is born as a possibility for ancestral, rhizomatic futures that cohabit present and future timelines, conjugating an expansive and situated projection, which displaces hegemonic significance and takes them from void spaces, those liminal places where divergence flourishes and matter and art converge.


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