Today, virtual communities, generative, chaotic, self-regulating networks, are the new agents of change bringing with them an idiosyncratic type of existentialism. Cyberspace has been explored as a productive ground for speculative post-human thought, bringing to the fore that which the increasing visibility of digital art has made more widely accessible: the rise of new gods, species, and relations, repositioning the place of the human in favor of positing new agencies of power and effective change. Sentiments related to those agencies have also evolved, from the sense of empowerment in existence as a collective being to diversifying the past with a peculiar digital nostalgia and anxiety. In other words, the production of affect in the digital era has been questioned, who and how affects and is affected is now an urgent matter.
Today, virtual communities, generative, chaotic, self-regulating networks, are the new agents of change bringing with them an idiosyncratic type of existentialism. Cyberspace has been explored as a productive ground for speculative post-human thought, bringing to the fore that which the increasing visibility of digital art has made more widely accessible: the rise of new gods, species, and relations, repositioning the place of the human in favor of positing new agencies of power and effective change. Sentiments related to those agencies have also evolved, from the sense of empowerment in existence as a collective being to diversifying the past with a peculiar digital nostalgia and anxiety. In other words, the production of affect in the digital era has been questioned, who and how affects and is affected is now an urgent matter.